在中国新闻传播教育的课程体系中，与媒介理论相关的内容大多源自于英美一脉，而对于除了基特勒以外的德国当代媒介学派学者着力不多。在本雅明逝世八十周年纪念之际，本文梳理了诺伯特·博尔兹这位德国当代媒介学派学者的“感知”媒介理论，认为他是德国当代媒介学派中异于“基特勒主流”的“本雅明支流”。博尔兹的学术发展路径与德国当代媒介学派的“成长”存在关联，他基于本雅明理论所发展出来的“感知”，从微观层面上是一种基于个体感官与媒介技术综合作用的感知理论，从中观层面上是一种基于某一集体的感知理论，从宏观层面上是一种基于美学理论的感知理论，这和中文学术界熟知的基特勒的理论大不相同。

In the curriculum system of Chinese journalism and communication education, most of the content related to media theory originated from the British and American lines, and little effort was given to scholars of the German Contemporary Medienwissenschaft School except Kittler. On the occasion of the 80th anniversary of Benjamin’s death, this paper combs the “perception” media theory of Norbert Bolz, a media scholar from Germany, and considers him to be a “Benjamin tributary” of the German Contemporary Medienwissenschaft School(GCMS) that is different from the “mainstream of Kittler”. Bolz’s academic development path is related to the “growth” of the GCMS. Benjamin’s theory is the foundation of “perception”, and “perception” can be divide to three levels: for the micro level, the perception theory is based on the combined effect of individual senses and media technology; for the meso level, the perception theory is based on a certain collective; for the macro level, it is a perception theory based on aesthetics. This is quite different from Kittler’s theory, which is well-known in Chinese academia.