本文以新世纪以来我国所有特大事故的新华社报道为分析对象，在“人格化——去 人格化”的维度下，对报道中的受难者形象进行文本分析。研究显示，官方报道中的受 难者群像与独像并存。可辨识的受难者独像多数为“理想的受难者”，遵循着“无辜者 等级”并混合了英雄遇难的叙事，呈现出高度同质化和可替代性的面貌。群像的塑造则 以“去个体化”为原则，通过引语塑造出亲历的在场者和朴素的感恩者；通过数字化将 不幸者对立、比较、排序；通过指代词实现身份区隔和“熟悉的陌生化”等叙事目的。

The present study examined Xinhua News Agency’s coverage of all extraordinary serious accidents in China since 2000. A textual analysis method was used under the dimension of “personalization -impersonalization” portrayal of victims. Results indicated a juxtaposition of the portrayals of both the individual sufferers and the sufferers in groups. Identifable individuals were mostly “ideal victims” who followed “hierarchy of the innocent” as well as a mix of the narratives of heroes in suffering. All individuals being portrayed were highly homogeneous and were thus replaceable. Group images were mostly depicted in a way of “impersonalization” in which quotations helped to identify them as witnesses and thanksgivers, digitalization contributed to the contrasts, comparisons and ranks via the number of death, whereas demonstrative pronouns otherized the victims as strangers that were distinct from the familiar viewers in “our” world.