摘要
作为一次新型的网络民族主义行动,“帝吧出征”具有自我表演的特征,其目标消费群体与其说是海峡对岸的台湾民众和媒体,不如说是出征参与者本人以及大陆的媒体和网民。在一个祛魅的商业化和个人主义时代,“帝吧出征”为青年网民提供了集体英雄主义的想象。同时,作为新媒体事件的“帝吧出征”,与国家政治保持着微妙的关系,并隐隐透露出一种令人担忧的帝国心态。
Abstract
As a new type of cyber-nationalistic action, “D8 expedition” was a self-performance. Its targeted audience was not so much the publics and media across the Taiwan Strait as the participants themselves and mainland media and Internet users. In a disenchanted era of commercialization and individualization, "D8 expedition” gave young netizens an opportunity to imagine collective heroism. At the same time, as a new media event, "D8 expedition” was in a delicate relationship with state politics and betrayed the uneasy overtones of an imperial mentality.
关键词
网络民族主义 /
表演 /
新媒体事件 /
话语型构 /
复魅
Key words
cyber-nationalism /
performance /
new media event /
discursive formation /
re-enchantment
杨国斌.
英雄的民族主义粉丝[J]. 国际新闻界. 2016, 38(11): 25-32
YANG Guobin.
Heroic Fans of Nationalism[J]. Chinese Journal of Journalism & Communication. 2016, 38(11): 25-32
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