人类的记忆实践已无法脱离技术的作用，如同数字档案的社交平台在开放与在线中使许多记忆微光得到贮存与显现，看似与记忆无关的“陌生人”也在“人—物”的相互联结下成为追忆者展开记忆实践的聚焦对象，并在主体的公开寻忆中转变为一种联结式的“诸众记忆”。在“寻忆陌生人”的实践背后，旧照片、算法等共同构成了记忆和关系联结的触发器。在社交平台铺就的交互轨迹中，“过去”与“当下”得到跨时空联结，形塑出动态的“纵向共时性”。更重要的是，记忆实践的展开并不是活动的终点，追忆者与陌生人的联结建立起了新的交际关系，续写了新的记忆，“过去—现在”也在此意境中向“未来”靠近。不过，在联结与记忆触达的背后同样存在着“无法联结”的情况，其不仅反映了记忆攸关方对时空权力的施展，反向突显出联结的意义与价值，以及联结本身的“不稳定性”和“未知性”，而且其为我们否思、补充“联结记忆”理论提供了新的视角。

Human memory practice cannot be separated from technology, the social platform is like digital archives, allows many memories to be stored and displayed in an open and online environment. Seemingly unrelated “strangers” have also become the focus of reminiscers’ memory practice under the interconnection of human and object, and have transformed into the “ memory of the multitude” in the public search of the subject. Behind the practice of “seeking memories of strangers”, old photos, algorithms, and other factors together form triggers for memory and relationship connections. In the interactive trajectory laid out on social platforms, the “past” and “present” are connected across time and space, shaping a dynamic “vertical synchronicity”. More importantly, the unfolding of memory practice is not the end point of the activity. The “connection” between the reminiscer and the “stranger” establishes a new communicative relationship, continues to write new memories, and the “past” “present” also approaches the “future” in this artistic conception. However, there is also a situation of "inability to connect" behind the connection and memory outreach, which not only reflects the exercise of temporal and spatial power by memory stakeholders, but also highlights the significance and value of connection, as well as the “instability” and “unknowns” of connection itself, and provides us with a new perspective to rethink and extend Connective Memory.