This study, through content analysis and thematic analysis, investigates woman images in terms of occupation, dominance, apparel, and violence stereotype. It confirms that traditional stereotype stills exists in the anime, but the stereotype also demonstrates contradiction and alienation. Women are represented in the episodes of reality anime with dominant involvement in the stories; they are in most cases still wearing skirts, but the likelihood of wearing pants substantially increases in reality anime. Typically featured with violence-free and submissiveness characteristics, women are constructed to be aggressive and to have disposal power in surreal anime: they are more likely to take the role of warriors who generally represent a masculine occupation. The multiple construction of women image abides by the status quo but at the same time deviates from the stereotype. This multi-dimensional construction suggests that animation has a contradictory tendency in verifying social reality while predicting consciousness. The study attributes this stereotype rupture to the recurrence of textual contradictions: on the one hand, the text retreats from secular culture, together with the memory and expectation of positivist audiences and women’s meanings; on the other hand, it attempts to challenge audiences through the construction of “anti-presence”. The text thus deviates from the closed narrative and uses multiple texts to withstand the central duality of gender.