本研究认为，若想探究听觉媒介的技术政治，需紧扣现代听觉媒介与听觉的关系，对听觉媒介的社会塑造、政治使用与公民性建构等问题做出寻索和回应。依此脉络，本研究将在“作为方法的媒介”思路指引下，立于广播媒介本体并给予其听觉向度的高度自觉与体认，试图通过对早期无线电广播技术史的简要回顾与讨论，意欲追问:作为一种听觉媒介，广播在塑造现代听觉习惯时，建立起了什么样的听觉经验?又形构出什么 样的现代主体?在此过程中，广播与现代社会政治组织和主体性生成之间又展露出何种关系?研究认为，立于听觉维度，对广播的国家制度建构、广播所塑造的集体与个体人格，以及广播与共同体建构等议题的讨论，将助于我们进一步认知广播的结构性特质，及其所指向的现代听觉媒介的技术政治。

This paper argues that an investigation into the technopolitics of aural media entails exploring its role in society shaping, political usage, and citizenship construction, which all revolve around the nexus between aural media and auditory perception. Guided by the idea of “media as method,” the discussion will place particular emphasis on the ontology of radio broadcasting per se, especially foregrounding its aural dimension. By sketching out a historical trajectory of wireless technologies, it is my intention to address the following questions: What kind of auditory experience, as well as modern subjects, are formed as radio broadcasting trains auditory perception? And what relationship arises out of this process between radio broadcasting on the one hand and the organization of modern polity and the production of subjectivities on the other? Overall, this paper suggests that reflecting on issues such as how radio broadcasting affects political system, constructs communities, and shapes collective and individual personhood will contribute to a better understanding of radio’s structural attributes, together with the technopolitics of modern aural media.